Explore the timeless techniques of the Ohara School of Ikebana by delving into the history and unique benefits of the kenzan, shippou, and the art of natural bracing. Elevate your floral arrangements with these essential mechanics, blending traditional elegance with innovative artistry.
As a teacher of the Ohara School of Ikebana, one of the key elements I emphasize to my students is the importance of flower mechanics. The way we secure our flowers plays a crucial role in ensuring stability and allowing the artistic expression to flourish. Three of the most common and historically significant methods we use for this purpose are the kenzan, the shippou, and natural bracing. Each has its unique attributes and a rich history that adds depth to our practice.
The kenzan, also known as a 'pin holder' or 'spiky frog,' was first used around the late Meiji or early Taisho era (circa 1910AD). The exact inventor of the kenzan remains unknown, though many have claimed its invention. This tool revolutionized the art of Ikebana by providing a more flexible and stable method for arranging flowers. The name ‘kenzan’ translates to 'sword mountain.'
A kenzan consists of a heavy metal base embedded with numerous sharp, upright pins. The weight of the base ensures stability, while the pins allow for the secure placement of flower stems. This tool is particularly advantageous for creating naturalistic and free-flowing arrangements, as it offers flexibility in positioning stems at various angles and heights.
To use the kenzan, the stems of the flowers are pressed onto the pins, which hold them firmly in place. This method allows for a wide range of creative possibilities, enabling the arranger to experiment with different forms and shapes while maintaining the integrity of the composition.
The shippou, also known as a 'circular ring holder,' predates the kenzan and has been used in Ikebana for centuries. Its origins are rooted in the classical styles of Japanese floral arrangement, where it was used to create formal and balanced compositions. The name 'shippou 'translates to 'seven treasures,' a term often associated with circular patterns in traditional Japanese art, symbolizing harmony and balance.
The shippou consists of a circular or semi-circular metal frame with a mesh or grid-like structure. This grid provides support for the flower stems, allowing them to be arranged in a precise and orderly manner. The shippou is typically used in formal arrangements, where the emphasis is on symmetry and balance.
Using the shippou involves threading the flower stems through the grid, securing them in the desired positions. This method is particularly suited for creating structured and elegant designs, where each element of the arrangement contributes to a harmonious whole. The shippou's design encourages a disciplined approach to arrangement, making it an excellent tool for practicing the fundamental principles of Ikebana.
Natural bracing is a technique often used in Heika arrangements, where no additional mechanics are employed to secure the flowers. This method relies on the natural tension and friction of the stems against the sides of a tall cylindrical container. This approach is deeply rooted in the traditional practices of Ikebana, emphasizing simplicity and the natural beauty of the materials.
In natural bracing, the stems are carefully arranged to brace against the sides of the container, creating a stable structure without the need for any additional tools. This method requires a keen understanding of balance and proportion, as the stability of the arrangement depends entirely on the careful placement of each stem.
To achieve this, the arranger selects a tall cylindrical container and places the stems so that they support each other through natural tension. This technique is particularly suited for Heika arrangements, where the emphasis is on the natural beauty and form of the individual stems.
The kenzan, shippou, and natural bracing are indispensable methods in the practice of Ohara School Ikebana, each offering unique advantages that cater to different styles and preferences. The kenzan's versatility and stability make it ideal for dynamic and naturalistic arrangements, while the shippou's structured design lends itself to creating formal and balanced compositions. Natural bracing, with its emphasis on simplicity and natural beauty, offers a traditional approach that highlights the inherent qualities of the materials.
By understanding the history and mechanics of these methods, students of Ikebana can deepen their appreciation for the art and enhance their creative expression. Incorporating these techniques into your Ikebana practice not only honors the tradition and history of the art but also opens up new possibilities for innovation and creativity. As you experiment with the kenzan, shippou, and natural bracing, you will discover the endless potential for beauty and harmony in your floral arrangements.
Joe Rotella
Third Term Master
Ohara School of Ikebana
